I have a broad professional background spanning music research, writing, production, performance, and education.
I hold a doctorate in music from the University of Oxford, where I continue to teach.
Please find my CV below:
Education and qualifications
DPhil Music, University of Oxford
MSt Music (Musicology), University of Oxford.
MusB University of Manchester.
Publications, Articles, and Conference Papers
- “Szymanowski’s Third Symphony: Tradition and the Orient”. Nota Bene: Canadian Undergraduate Journal of Musicology, 12.1 (2019).
- “‘A Mass can never interest, but only dumbfound us’: Chorus and ‘Chorality’ in Wagner’s late Music Dramas.” The Wagner Journal, (2021).
- “Dave’s PSYCHODRAMA and the aesthetics of environment” (Speaker), Musicology in Progress, University of Pavia, Lombardy, Italy (2023)
- “Wiley’s Treddin’ on Thin Ice at 20: revisiting a blueprint that continues to shape grime”, The Conversationhttps://theconversation.com/wileys-treddin-on-thin-ice-at-20-revisiting-a-blueprint-that-continues-to-shape-grime-224019 (April 2024).
- “Forensic Musicology: An Introduction” (Speaker), University of Oxford
- “The Artificial Composer: A Forensic Musicology Perspective on Artificial Intelligence and Music.”
“Risks & Opportunities”: Imagination and Expression in the Age of AI (Speaker), Oriel College, University of Oxford (2026)
- ““What if there is no melody?” Approaches to transcription in Forensic Musicology”, in The Oxford Handbook of Forensic Musicology (Oxford University Press, 2028; forthcoming)